Title: I Miss My Enemies

Artists: Jota Castro, Marc Vincent Kalinka, Steve Piccolo, Babi Badalov, Adrian Paci, Bert Theis, Kirill Chelushk

Venue: La Giudecca, Collateral Event

Hidden away in an empty warehouse in La Giudecca, lies I Miss My Enemies. The quirky set up on the first floor offers a dynamic space with various films, audio works, installations, drawings and projections. The chaotic plethora of noise and bright flashes, however, does not distract from the viewing experience and rather compliments the urban and rundown setting, as does the majority of the content of the work on display.

A curious group of street cones and garden implements positioned together to create the appearance of people and a free standing family with light up faces who sing high pitched to the tune of Santa Maria, adding a humorous and interesting touch amidst the more serious films, a randomly positioned football covered in barbed wire and handcuffs hung chained together in a line from the ceiling to floor. This form is echoed by a large reel of paper down one wall, covered with the life-size figure of a man holding a gun repeated over and over. The image is also printed on toilet roll, paralleling the piece but in miniature form, the toilet roll epitomises the presumably low maintenance effect the show was aiming to achieve.  

 The catchy title of the show is reflected in the nature of events own logo and gimmick that sees all exhibition material and information printed on small card boxes that one would normally find tablets or pills in. The show is well thought through and presents an eclectic mix of media, which - although lacking blurb content does not clarify – provides a social commentary of urban life, set within a staged urban environment. 

Laura Stocks

Title: I Miss My Enemies

Artists: Jota Castro, Marc Vincent Kalinka, Steve Piccolo, Babi Badalov, Adrian Paci, Bert Theis, Kirill Chelushk

Venue: La Giudecca, Collateral Event

Hidden away in an empty warehouse in La Giudecca, lies I Miss My Enemies. The quirky set up on the first floor offers a dynamic space with various films, audio works, installations, drawings and projections. The chaotic plethora of noise and bright flashes, however, does not distract from the viewing experience and rather compliments the urban and rundown setting, as does the majority of the content of the work on display.

A curious group of street cones and garden implements positioned together to create the appearance of people and a free standing family with light up faces who sing high pitched to the tune of Santa Maria, adding a humorous and interesting touch amidst the more serious films, a randomly positioned football covered in barbed wire and handcuffs hung chained together in a line from the ceiling to floor. This form is echoed by a large reel of paper down one wall, covered with the life-size figure of a man holding a gun repeated over and over. The image is also printed on toilet roll, paralleling the piece but in miniature form, the toilet roll epitomises the presumably low maintenance effect the show was aiming to achieve.  

 The catchy title of the show is reflected in the nature of events own logo and gimmick that sees all exhibition material and information printed on small card boxes that one would normally find tablets or pills in. The show is well thought through and presents an eclectic mix of media, which - although lacking blurb content does not clarify – provides a social commentary of urban life, set within a staged urban environment. 

Laura Stocks

Posted 1 year ago

About:

A Virtual Biennale is a project produced by the LINE Magazine collective.

It seeks to document the Biennale through a coherent online format, where hierarchies are significantly flattened and the work exists purely in images. By transferring the physical to the virtual, the online Biennale emphasises the Fair's existence as a spectacle, which much like Venice, exists primarily in our imaginations and through the frame of the lens.

2011's Venice Biennale is titled 'Illuminations' and is curated by Bice Curriger. It seeks to 'unveil hidden truths.' Taking this idea as our lead, we hope to elucidate the truths that remain implicit within the Biennale and shed light on them through this webpage and a forthcoming edition of Line Magazine titled 'The Illuminated Artist'.

Over the next few weeks a series of interviews, reviews and critical essays will be added alongside these images. The texts will question the function and purpose of the Biennale in the age of globalisation, the social and political nature of some art showcased and the responsibility of its makers, curators and audience. It will also expose and question the corruption of funding, prizes and sponsorships at the Fair.

Members of the LINE collective:
Rachael Cloughton, Emily Burke, Kathryn Lloyd, Joao Abbott-Gribben, Jemma Craig, Jennifer Owen, Laura Stocks, Matthew Macaulay

Line Magazine was founded in 2010 by Rachael Cloughton and Thomas Carlile: linemagazine.tumblr.com / www.linemagazine.co.uk

© Rachael Cloughton 2011

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